Bugs Bunny (originally voiced by Mel Blanc) is an animated cartoon character, best known for his starring roles in the Looney Tunes and Merrie Melodies series of theatrical short films produced by Warner Bros. during the Golden Age of American animation. His popularity during this era led to his becoming an American cultural icon, as well as a corporate mascot of the Warner Bros. company. Bugs is an anthropomorphic gray hare, famous for his relaxed, passive personality, pronounced Mid-Atlantic accent, depiction as a trickster, and his catchphrase: "Eh, what's up, doc?" (usually said while chewing a carrot). Bugs has appeared in more films (both short and feature-length) than any other cartoon character and is the 9th most portrayed film personality in the entire world.
Happy Rabbit, a hare with some of the personality of Bugs, though looking very different, made his first appearance in the cartoon short Porky's Hare Hunt, released on April 30, 1938. Co-directed by Ben Hardaway and an uncredited Cal Dalton (who was responsible for the initial design of the rabbit), this short has an almost identical plot to Tex Avery's Porky's Duck Hunt (1937), which had introduced Daffy Duck. Hare Hunt replaces the little black duck with a small white rabbit. Porky Pig is again cast as a hunter tracking a silly prey who is more interested in driving his pursuer insane and less interested in escaping. Happy introduces himself with the odd expression "Jiggers, fellers," and Mel Blanc gave the character a voice and laugh much like those he would later use for Woody Woodpecker. Hare Hunt also gives Happy the famous Groucho Marx line, "Of course you realize, this means war!" The rabbit character was so popular with audiences that the Leon Schlesinger staff decided to use it again.
Happy returns in Prest-O Change-O (1939), directed by Chuck Jones, where he is the pet rabbit of unseen character Sham-Fu The Magician. Two dogs, fleeing the local dogcatcher, enter his absent master's house. Happy harasses them, but is ultimately bested by the bigger of the 2 dogs.
Happy's 3rd appearance comes in Hare-um Scare-um (1939), once again directed by Cal and Ben. This short (the first in which he is depicted as a gray bunny instead of a white one) is also notable as Happy's first singing role. Charlie Thorson, lead animator on the short, gave the character a different name. He had written "Bugs' Bunny" on the model sheet that he drew for Ben. In promotional material for the short, including a surviving 1939 presskit, the name on the model sheet was altered to become the rabbit's own name: "Bugs" Bunny (quotation marks only used, on and off, until 1944).
In Chuck Jones' Elmer's Candid Camera (1940), Happy first meets Elmer Fudd. This time Happy looks more like the present-day Bugs, taller and with a similar face—-but retaining the more primitive voice. Candid Camera's Elmer character design is also different: fatter and taller than the modern model, although Arthur Q. Bryan's character voice is already established.
A Wild Hare, directed by Tex Avery and released on July 27, 1940, is widely considered to be the first official Bugs Bunny cartoon. It is the first short where both Elmer Fudd and Bugs are shown in their fully developed forms as hunter and tormentor, respectively; the first in which Mel Blanc uses what would become Bugs' standard voice; and the first in which Bugs uses his catchphrase, "What's Up, Doc?" The short was a huge success in theaters and received an Academy Award nomination for Best Animated Short Film.
Immediately following on A Wild Hare, Bob Clampett's Patient Porky features a cameo appearance by Bugs, announcing to the audience that 750 rabbits have been born. The gag uses Bugs' Wild Hare visual design, but his goofier pre-Wild Hare voice characterization.
The second full-fledged role for the mature Bugs, Chuck Jones' Elmer's Pet Rabbit (1941), is the first to use the name Bugs Bunny on-screen: it appears in a title card, "featuring Bugs Bunny," at the start of the short (which was edited in following the success of A Wild Hare). However, Bugs' voice in this cartoon is significantly different, and his design was slightly altered as well. After Pet Rabbit, however, subsequent Bugs appearances returned to normal: the Wild Hare visual design returned, and Mel Blanc reused the Wild Hare voice characterization.
Hiawatha's Rabbit Hunt (1941), directed by Friz Freleng, became the second Bugs Bunny cartoon to receive an Academy Award nomination for Best Animated Short Film. The fact that it didn't win the award was later spoofed somewhat in What's Cookin' Doc? (1944), in which Bugs demands a recount after losing the Oscar to Jimmy Cagney and presents a clip from Hiawatha's Rabbit Hunt to prove his point.
By 1942, Bugs had become the #1 star of Merrie Melodies. The series had originally been intended only for one-shot characters in shorts after several early attempts to introduce characters (Foxy, Goopy Geer, and Piggy) failed under Harman–Ising. (In 1937, under Leon, it had started introducing newer characters.) The short Bugs Bunny Gets the Boid (1943) shows a slight redesign of Bugs, with less-prominent front teeth and a rounder head. The character was reworked by Robert McKimson, then an animator in Bob Clampett's unit. The redesign at first was only used in the shorts created by Bob's unit, but in time it would be taken up by the other directors, with Friz Freleng and Frank Tashlin the first. When Robert was himself promoted to director, he created yet another version, with more slanted eyes, longer teeth, and a much larger mouth. He used this version until 1949 (as did Arthur Davis for the one Bugs Bunny cartoon he directed) when he started using the version he had designed for Bob. Chuck would come up with his own slight modification, and the voice had slight variations between the units. Bugs also made cameos in Tex Avery's final Warner Bros. short, Crazy Cruise.
Since Bugs' debut in A Wild Hare, he had appeared only in color Merrie Melodie cartoons (making him one of the few recurring characters created for that series in the Leon Schlesinger era prior to the full conversion to color), alongside Elmer predecessor Egghead, Inki, Sniffles, and Elmer himself. While he made a cameo appearance in the Porky and Daffy cartoon Porky Pig's Feat (1943), this was his only appearance in a black-and-white Looney Tune cartoon. He did not star in a cartoon in the Looney Tunes series until that series made its complete conversion to only color cartoons beginning in 1944. Buckaroo Bugs was Bugs' first cartoon in the Looney Tunes series, and was also the last Warner Bros. cartoon to credit Leon Schlesinger.
Bugs' popularity soared during World War II because of his free and easy attitude, and began receiving special star billing in his cartoons by 1943. By that time, Warner Bros. had become the most profitable cartoon studio in the U.S. In company with cartoon studios such as Disney and Famous Studios, Warner Bros. put its characters against Adolf Hitler, Benito Mussolini, and the Japanese. Bugs Bunny Nips the Nips (1944) features Bugs at odds with a group of Japanese soldiers. This cartoon has since been pulled from distribution due to its racism towards Japanese people. He also faces off against Hermann Göring and Hitler in Herr Meets Hare (1945), which introduced his well-known reference to Albuquerque as he mistakenly winds up in the Black Forest of "Joimany" instead of Las Vegas, Nevada. Bugs also appeared in the 1942 two-minute U.S. war bonds commercial film Any Bonds Today?, along with Porky and Elmer.
At the end of Super-Rabbit (1943), Bugs appears wearing a United States Marine Corps dress blue uniform. As a result, the Marine Corps made Bugs an honorary Marine Master Sergeant. From 1943 to 1946, Bugs was the official mascot of Kingman Army Airfield, Kingman, Arizona, where thousands of aerial gunners were trained during World War II. Some notable trainees included Clark Gable and Charles Bronson. Bugs also served as the mascot for 530 Squadron of the 380th Bombardment Group, 5th Air Force, U.S. Air Force, which was attached to the Royal Australian Air Force and operated out of Australia's Northern Territory from 1943 to 1945, flying B-24 Liberator bombers. Bugs riding an air delivered torpedo served as the squadron logo for Marine Torpedo/Bomber Squadron 242 in the Second World War.
In 1944, Bugs Bunny made a cameo appearance in Jasper Goes Hunting, a Puppetoons short produced by rival studio Paramount Pictures. In this cameo (animated by Robert McKimson, with Mel Blanc providing the voice), Bugs (after being threatened at gunpoint) pops out of a rabbit hole, saying his usual catchphrase; after hearing the orchestra play the wrong theme song, he realizes "Hey, I'm in the wrong picture!" and then goes back in the hole.
After World War II, Bugs continued to appear in numerous Warner Bros. cartoons, making his last "Golden Age" appearance in False Hare (1964). He starred in over 167 theatrical shorts, most of which were directed by Friz Freleng, Robert McKimson and Chuck Jones. Friz' Knighty Knight Bugs (1958), in which a medieval Bugs trades blows with Yosemite Sam and his fire-breathing dragon (which has a cold), won an Academy Award for Best Animated Short Film (becoming the first Bugs Bunny cartoon to win said award). Three of Chuck's shorts — Rabbit Fire, Rabbit Seasoning, and Duck! Rabbit! Duck! — compose what is often referred to as the "Rabbit Season/Duck Season" trilogy and are famous for originating the "historic" rivalry between Bugs and Daffy Duck. Chuck's classic What's Opera, Doc? (1957), casts Bugs and Elmer Fudd in a parody of Richard Wagner's Der Ring des Nibelungen. It was deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry in 1992, becoming the first cartoon short to receive this honor.
In the fall of 1960, ABC debuted the prime-time television program The Bugs Bunny Show. This show packaged many of the post-1948 Looney Tunes shorts with newly animated wraparounds. After two seasons, it was moved from its evening slot to reruns on Saturday mornings. The Bugs Bunny Show changed format and exact title frequently, but remained on network television for 40 years. The packaging was later completely different, with each short simply presented on its own, title and all, though some clips from the new bridging material were sometimes used as filler.
Bugs did not appear in any of the post-1964 Looney Tunes and Merrie Melodies shorts produced by DePatie-Freleng Enterprises or Seven Arts Productions, nor did he appear in the lone Looney TunesTV special produced by Filmation. He would not appear in new material on-screen again until Bugs and Daffy's Carnival of the Animals aired in 1976.
In the 1988 live-action/animated film Who Framed Roger Rabbit? (from executive producer Steven Spielberg), Bugs was shown as one of the inhabitants of Toontown. However, since the film was being produced by Disney, Warner Bros. would only allow the use of their biggest star if he got an equal amount of screen time as Disney's biggest star, Mickey Mouse. Because of this, both characters are always together in frame when onscreen. Who Framed Roger Rabbit was also one of the final productions in which Mel Blanc voiced Bugs (as well as the other Looney Tunes characters) before his death in 1989.
Bugs appeared in another animated production featuring numerous characters from rival studios; the 1990 drug prevention TV special Cartoon All-Stars to the Rescue. This special is notable for being the first time that someone other than Mel Blanc voiced Bugs Bunny and Daffy Duck (both characters were voiced by Jeff Bergman for this). Bugs also made guest appearances in the early 1990s television series Tiny Toon Adventures (also from Spielberg), as the principal of Acme Looniversity and the mentor of Buster Bunny. He made further cameos in Warner Bros.' subsequent animated TV shows Taz-Mania, Animaniacs and Histeria!
Bugs returned to the silver screen in Box Office Bunny (1990). This was the first Bugs Bunny cartoon since 1964 to be released in theaters and it was created for Bugs' 50th anniversary celebration. It was followed by Blooper Bunny, a cartoon that was shelved from theaters, but later premiered on Cartoon Network in 1997 and has since gained a cult following among animation fans for its edgy humor.
In 1996, Bugs and the other Looney Tunes characters appeared in the live-action/animated film, Space Jam, directed by Joe Pytka and starring Michael Jordan. The film also introduced the character Lola Bunny, who becomes Bugs' new love interest. The film received mixed reviews from critics, but was a box office success grossing over $230 million worldwide. The success of Space Jam led to the development of another live-action/animated film, Looney Tunes: Back in Action, released in 2003 and directed by Joe Dante. Unlike Space Jam, Back in Action was a box-office bomb, though it did receive more positive reviews from critics.
A younger version of Bugs, voiced by Samuel Vincent, is the main character of Baby Looney Tunes, which debuted on Cartoon Network in 2002. In the Action-Adventure series Loonatics Unleashed, his definite descendant Ace Bunny is the leader of the Loonatics team and seems to have inherited his ancestor's Mid-Atlantic accent and comedic wit.
In 2011, Bugs Bunny and the rest of the Looney Tunes gang returned to television in the Cartoon Network sitcom, The Looney Tunes Show, with Jeff Bergman returning to voice both Bugs and Daffy Duck. The characters feature new designs by artist Jessica Borutski. Among the changes to Bugs' appearance were the simplification and enlargement of his feet, as well as a change to his fur from gray to a shade of mauve (though in the second season, his fur has been changed back to gray).
In the series, Bugs and Daffy are portrayed as best friends as opposed to their usual pairing as rivals or frenemies. At the same time, Bugs is more openly annoyed at Daffy's antics in the series (sometimes to the point of aggression), compared to his usual carefree personality from the original cartoons. Bugs and Daffy are close friends with Porky Pig in the series, although Bugs tends to be a more reliable friend to Porky than Daffy is.
Bugs also dates Lola Bunny in the show, although at first he finds her to be "crazy" and a bit too talkative (he later learns to accept her personality quirks, similar to his tolerance for Daffy). Unlike the original cartoons, Bugs lives in an upper middle-class house, which he shares with Daffy, Taz (whom he treats as a pet dog) and Speedy Gonzales, in the middle of a cul-de-sac with their neighbors Yosemite Sam, Granny and Witch Lezah. According to the episode "Peel of Fortune," Bugs' financial success comes from his invention of the carrot peeler.
"Some people call me cocky and brash, but actually I am just self-assured. I'm nonchalant, imperturbable, contemplative. I play it cool, but I can get hot under the collar. And above all I'm a very 'aware' character. I'm well aware that I am appearing in an animated cartoon....And sometimes I chomp on my carrot for the same reason that a stand-up comic chomps on his cigar. It saves me from rushing from the last joke to the next one too fast. And I sometimes don't act, I react. And I always treat the contest with my pursuers as 'fun and games.' When momentarily I appear to be cornered or in dire danger and I scream, don't be consoined – it's actually a big put-on. Let's face it Doc. I've read the script and I already know how it turns out. "
―Bob Clampett on Bugs Bunny, written in first person.
He is a cunning, charismatic, and smart rabbit. These personality traits are what gives him an advantage over his enemies, rivals and opponents. He is also known for his famous catch phrase; "Eh, what's up, doc?", which he typically uses as a greeting to anyone he encounters (usually while munching a carrot).
Bugs is characterized as being clever and capable of outsmarting anyone who antagonizes him, including Elmer Fudd, Yosemite Sam, Willoughby, Marvin the Martian, Beaky Buzzard, Daffy Duck, Porky Pig, The Tasmanian Devil, Cecil Turtle, Witch Hazel, Rocky and Mugsy, Wile E. Coyote, The Crusher, The Gremlin, Count Bloodcount, and a whole bunch of others. Bugs almost always wins these contentions, a story pattern which recurs in Looney Tunes cartoons directed by Chuck Jones. Concerned that viewers would lose sympathy for an aggressive protagonist who always won, Chuck arranged for Bugs to be bullied, cheated, or threatened by the antagonists while minding his own business, justifying his subsequent antics as retaliation or self-defense. He's also been known to break The 4th Wall by "communicating" with the audience, either by explaining the situation (e.g. "Be with you in a minute, folks!"), describing someone to the audience (e.g. "Feisty, ain't they?"), clueing in on the story (e.g. "That happens to him all during the picture, folks."), explaining that one of his antagonists' actions have pushed him to the breaking point ("Of course you know, this means war."), admitting his own deviousness toward his antagonists ("Gee, ain't I a stinker?"), etc.
When Bugs made his appearance, he promptly replaced Daffy Duck as the most popular Warner Bros. character. Daffy, jealous of his cartoon counterpart's ascension to fame, has on many occasions attempted to dethrone the rabbit. But he has never truly succeeded, always being outsmarted by the clever hare.
However, as time passed on, Bugs and Daffy's rivalry has turned friendlier in nature as the two usually hang out together in most cartoons and Bugs considers Daffy his best friend despite his faults, to which Daffy says the same thing.
Bugs will usually try to placate the antagonist and avoid contention, but when a villain pushes him too far, Bugs may address the audience and invoke his catchphrase "Of course you realize this means war!" before he retaliates, and the retaliation will be devastating. This line was taken from Groucho Marx and others in the 1933 film Duck Soup and was also used in the 1935 Marx film A Night at the Opera. Bugs would pay homage to Groucho in other ways, such as occasionally adopting his stooped walk or leering eyebrow-raising (in Hair-Raising Hare, for example) or sometimes with a direct impersonation (as in Slick Hare).
Other directors, such as Friz Freleng, characterized Bugs as altruistic. When Bugs meets other successful characters (such as Cecil Turtle in Tortoise Beats Hare, or, in World War II, the Gremlin of Falling Hare), his overconfidence becomes a disadvantage. Most of Bugs' adversaries are extremely dim-witted, and Bugs is easily able to outwit and torment them, although on occasion they will manage to get the best of Bugs. Daffy Duck, who is arguably more intelligent but less clever, is unaffected by Bugs' usual schemes, which usually results in the two trying to outsmart the other with Bugs always triumphing in the end. However, there are only 3 antagonists that successfully defeats Bugs in the end of the cartoon, such as the Gremlin from Falling Hare, the unnamed mouse from Rhapsody Rabbit, and the fly from Baton Bunny.
During the 1940s, Bugs started off immature and wild (similar to Daffy), but by the 1950s his personality matured and his attitude became more refined. Although often shown as highly clever, Bugs is never actually malicious, and only acts as such in self-defense against his aggressors; the only 2 cartoons where Bugs ever serves as an antagonist are Buckaroo Bugs and Duck Amuck; the latter cartoon depicts him as far more sadistic than usual, as he becomes an animator and uses his newfound powers to torture Daffy.
Bugs Bunny's nonchalant carrot-chewing standing position, as explained by Chuck Jones, Friz Freleng, and Bob Clampett, originated in a scene in the 1934 film It Happened One Night, in which Clark Gable's character leans against a fence, eating carrots rapidly and talking with his mouth full to Claudette Colbert's character. This scene was well known while the film was popular, and viewers at the time likely recognized Bugs Bunny's behavior as satire.
The carrot-chewing scenes are generally followed by Bugs Bunny's most well-known catchphrase, "What's up, Doc?", which was written by director Tex Avery for his first Bugs Bunny short, 1940's A Wild Hare. Tex explained later that it was a common expression in his native Texas and that he did not think much of the phrase. When the short was first screened in theaters, the "What's up, Doc?" scene generated a tremendously positive audience reaction. As a result, the scene became a recurring element in subsequent films and cartoons. The phrase was sometimes modified for a situation. For example, Bugs says "What's up, dogs?" to the antagonists in A Hare Grows In Manhattan, "What's up, Duke?" to the knight in Knight-Mare Hare and "What's up, prune-face?" to the aged Elmer in The Old Grey Hare. He might also greet Daffy with "What's up, Duck?" He used one variation, "What's all the hub-bub, bub?" only once, in Falling Hare. Another variation is used in Looney Tunes: Back In Action when he greets a bubble gun-yielding Marvin The Martian saying "What's up, Darth?"
Several Chuck Jones shorts in the late 1940s and 1950's depict Bugs travelling via cross-country (and, in some cases, intercontinental) tunnel-digging, ending up in places as varied as Mexico (Bully For Bugs, 1953), The Himalayas (The Abominable Snow Rabbit, 1960) and Antarctica (Frigid Hare, 1949) all because he "shoulda taken that left toin at Albukoikee." He first utters that phrase in Herr Meets Hare (1945), when he emerges in the Black Forest, a cartoon seldom seen today due to its blatantly topical subject matter. When Hermann Göring says to Bugs, "Zair is no Las Vegas in Chermany" and takes a potshot at Bugs, Bugs dives into his hole and says, "Joimany! Yipe!", as Bugs realizes he's behind enemy lines. The confused response to his "left toin" comment also followed a pattern. For example, when he tunnels into Scotland in 1948's My Bunny Lies Over The Sea, while thinking he's heading for the La Brea Tar Pits in Los Angeles, California, it provides another chance for an ethnic stereotype: "Therrre's no La Brrrea Tarrr Pits in Scotland!" (to which Bugs responds, "Uh...what's up, Mac-doc?"). A couple of late-1950s shorts of this ilk also featured Daffy Duck travelling with Bugs ("Since when is Pismo Beach inside a cave?!").
Bugs revealed as the unseen animator in Duck Amuck
Bugs Bunny has some similarities to figures from mythology and folklore, such as Br'er Rabbit, Nanabozho, or Anansi, and might be seen as a modern trickster (for example, he repeatedly uses cross-dressing mischievously). Unlike most cartoon characters, however, Bugs Bunny is rarely defeated in his own games of trickery. One exception to this is the short Hare Brush, in which Elmer Fudd ultimately carries the day at the end; however, critics note that in this short, Elmer and Bugs assume each other's personalities—through mental illness and hypnosis, respectively—and it is only by becoming Bugs that Elmer can win. However, Bugs was beaten at his own game. In the short Duck Amuck he torments Daffy Duck as the unseen animator, ending with his line, "Ain't I a stinker?" Bugs feels the same wrath of an unseen animator in the short Rabbit Rampage where he is in turn tormented by Elmer Fudd. At the end of the clip Elmer gleefully exclaims, 'Well, I finally got even with that scwewy wabbit!"
The name "Bugs" or "Bugsy" as an old-fashioned nickname means "crazy" (or "loopy"). Several famous people from the first half of the twentieth century had that nickname, like famous gangster, Benjamin "Bugsy" Siegel, who disliked the nickname. It is now out of fashion as a nickname, but survives in 1950's–1960's expressions like "you're bugging me", as in "you're driving me crazy".
Bugs wears white gloves, which he is rarely seen without, although he may remove one and use it for slapping an opponent to predicate a duel. Another glove-less example is the episode Long-Haired Hare, where Bugs pretends to be the famed conductor Leopold Stokowski and instructs opera star "Giovanni Jones" to sing and to hold a high note. As Giovanni Jones is turning red with the strain, Bugs slips his left hand out of its glove, leaving the glove hovering in the air in order to command Jones to continue to hold the high note. Bugs then nips down to the mail drop to order, and then to receive, a pair of ear defenders. Bugs puts on the ear defenders and then zips back into the amphitheater and reinserts his hand into his glove as singer Jones is writhing on the stage, still holding that same high note.
Bugs Bunny is also a master of disguise: he can wear any disguise that he wants to confuse his enemies: in Bowery Bugs he uses diverse disguises: fakir, gentleman, woman, baker and finally policeman. This ability of disguise makes Bugs famous because we can recognize him while at the same time realizing that his enemies are stumped. Bugs has a certain preference for the female disguise: Taz, Elmer Fudd, Yosemite Sam were fooled by this sexy bunny (woman) and in Hare Trimmed, Sam discovers the real face of "Granny" (Bugs's disguise) in the church where they attempt to get married. For all the gullible victims of all these disguises, however, for some reason, Daffy Duck and Cecil Turtle are among those who are never fooled.
Bugs Bunny may also have some mystical potential. In Knight-Mare Hare he was able to return to his bunny form (after being transformed into a donkey) by removing his donkey form as if it were a suit. Merlin of Monroe (the wizard) was unable to do the same thing. Later Bugs Bunny defeated the Count Blood Count in a magical spell duel. However, the story was a dream and Bugs Bunny's victory over Count Blood Count was a result of his intellect, not innate magical power.
The animators throughout Bugs' history have treated the terms rabbit and hare as synonymous. Taxonomically, they are not synonymous, being somewhat similar but observably different types of lagomorphs. Hares have much longer ears than rabbits, so Bugs might seem to be of the hare family, yet rabbits live in burrows, as Bugs is seen to do. Many more of the cartoon titles include the word "hare" rather than "rabbit," as "hare" lends itself easily to puns ("hair," "air," etc.) although Elmer Fudd has always referred to Bugs as a "wabbit".
Within the cartoons, although the term "hare" comes up sometimes, again typically as a pun—-for example, Bugs drinking "hare tonic" to "stop falling hare" or being doused with "hare restorer" to bring him back from invisibility—-Bugs as well as his antagonists most often refer to the character as a "rabbit." The word "bunny" is of no help in answering this question, as it is a synonym for both young hares and young rabbits.
In Nike commercials with Michael Jordan, Bugs is referred to as "Hare Jordan."
In the opening of many of the Bugs Bunny cartoons, the Merrie Melodies and Looney Tunes irises contain Bugs Bunny's head after the Warner Bros. shield (generally from 1944 and 1949 onward). Others have Bugs Bunny relaxing on top of the Warner Bros. shield: He chews on his carrot, looks angrily at the camera and pulls down the next logo (Merrie Melodies or Looney Tunes) like a window shade (generally on cartoons between 1945 until early 1949). Then he lifts it back up, to now be seen lying on his own name, which then fades into the title of the specific short. In some other cases, the title card sometimes fades to him, already on his name and chewing his carrot then fade to the name of the short. At the finish of Hare Tonic and Baseball Bugs, Bugs breaks out of a drum (like Porky Pig) and says, "And dat's de end". Also, at the end of Box Office Bunny, right after Daffy Duck and Elmer Fudd run out through the "That's All Folks!" sequence, Bugs later comes in through the rings and says, "And that's all, folks!". He did the ending for the last time at the end of Space Jam but this time saying "Well, that's all, folks!".